Julian Hindemach's work reveals the dark comedy of consumerism through distorted depictions of imagined reality, alluding to recurring satire in popular culture.

Criticizing cultural trauma in a playful way, by incorporating a lot of familiar scenes. The space temporarily occupied preserves a fantasy for the narrative, serving as a stage for the endless pursuit of pleasure.
These distorted dreams coincide with Western cultural perceptions of the impact of manufactured nostalgia and abstract truth.

Inspired by the character work of Georg Grosz during the Dada movement, Julian sought to embrace a mimetic reality that contained subcutaneous desperation and emotional freedom. The faces of various creatures look at the viewer, mockingly or at least confidently, thereby stimulating curiosity and a bit of uncertainty.

Julian's paintings also present historical and religious themes. The relationship between humans and animals is engaging and sensitive, using animal mimicry to explore a whole range of emotions.

She creates bizarre, almost dreamlike worlds that are psychologically complex and provocative, featuring both caricatures and stereotypes.