Han Choong-seok (1981, South Korea)
Han Choong Seok’s practice is the process of transforming the defensive instinct derived from human relationships into the painting. The main subjects of Han’s painting are various human figures, characterized owls, dogs, cats, and so on, but behind them lies a ‘message of communication to the world.‘ For example, the ‘hedgehog’s dilemma’ is a key element that expresses Han’s style of defense mechanism. As long as life goes on, relationships come and go, and sometimes, we have no choice but to take it personally. We can acquire high self-esteem through role-playing that suits superior-inferior relationship, but also we are left to live with ‘loneliness in the crowd’ by fate. It is because of the ‘hedgehog’s dilemma.’
Hedgehog’s Dilemma or Porcupine’s Dilemma is a psychological term that refers to a ‘contradictory state in which the desire for intimacy or attachment and the desire for independence or autonomy coexist.’ The tragic relationship of hedgehogs that ‘they cannot get closer than a certain distance’ due to each other’s quill is a very important motif in Han’s painting. In addition, even if the tendency of his works gradually change, it seems that the artist is determined to show the concept of series as well as his willingness to bind the ‘string of relationship’ by repeatedly using the title of the work, such as and . Even in the cycle of life, where countless hours are repeated, there is a break from life, such as growth rings. Allowing ourselves a little space in a relationship is necessary. Han Choong Seok’s painting shows that ‘relational margins’ can be the wisdom of a happy life for mature communion and communication. It constantly tells the importance of a life attitude of confession and respect for oneself or others.

While incorporating Western pigments like acrylic, the artist skillfully applies layers of paint onto a canvas of Korean cotton, producing a seamless diffusion effect. This overlay technique, reminiscent of Eastern painting traditions, introduces a distinctive palette and texture that is uniquely characteristic of the artist, despite the Western influence.